Bruno Vigneron Photographer

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  • Perrine Ferrat_02.jpg
  • Nico &Perrine Ferrat_01.jpg
  • Nico &Perrine Ferrat_02.jpg
  • Nico_03.jpg
  • Benoit Manent.jpg
  • Perrine Ferrat_01.jpg
  • Perrine Ferrat_03.jpg
  • Nico_02.jpg
  • Nico_01.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5651.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5650.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5646b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5619.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5617b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5616.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5610.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_01.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_02.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_10.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_11.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_13.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5693.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5690.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5658b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5648.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5629.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5614b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5613.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_04.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_12.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5656.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5655b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5654b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5647b.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5615.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5608.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5606b.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_03.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_05.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_06.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_07.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_08.jpg
  • Prana travels again and comes to materialize, regenerated, at the Gallery Georges Verney Carron.<br />
<br />
Foundation and essence of all life, Prana is the sacred energy of the Universe, circulating in all which exists: mineral, plant, animal, human. This secret and cosmic energy, present from all times, we have forgotten how to see it. We absorb it by means of our breath, in our lungs, through our skin, with all our senses, by the subtle channels which irrigate our body. But we have lost our awareness.<br />
<br />
This installation calls the viewer to a break, a pause. To observe. To feel. To see. To hear. To contemplate these crystalline particles of life and their eternal dance. To visualize their regenerative substance, droplets of light filling the entire space and penetrating beings.<br />
<br />
Prana now comes into shape and volume, with sound, into the space of the Gallery.<br />
A cosmic Breath. A living Heart.Prana is the link which connects the material, physical world, to consciousness and soul.<br />
Awakening to Prana, as an awakening to being, to the feeling of living and consciousness of existing, an invitation to meditation.<br />
December 2013<br />
Galerie Georges Verney Carron<br />
45 quai Rambaud 69002 Lyon<br />
txt: Gal GVC
    GGVC_12-2013_09.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5691.jpg
  • Exposée à la galerie Georges Verney – Carron à Lyon, l’artiste péruvienne Patricia Camet présente son œuvre Emoticons, une juxtaposition de moulages en céramique, organisés en mètres carrés. Ces moulages sont autant de portraits simplistes (traits des yeux et de la bouche uniquement) qui frappent par l’association paradoxale de leur familiarité et de leur étrangeté, de caractéristiques anthropologiques et industrielles. En effet, ce n’est qu’après coup que l’on se rend compte que les modèles de ces moulages font partie de notre quotidien, qu’ils sont ces emballages en plastique standardisés qui conditionnent nos produits de consommation.
    D13_5628.jpg
  • Ex Voto Gallery, Gesù Nuovo's church, Naples, Italy<br />
It is certainly the most important church built by Jesuits in Naples<br />
<br />
La galerie des Ex-Voto de l'eglise Gesù Nuovo à Naple.<br />
Il s'agit certainement de l'église la plus importante construite par les jésuites à Naples
    Naples-3.jpg
  • Ex Voto Gallery, Gesù Nuovo's church, Naples, Italy<br />
It is certainly the most important church built by Jesuits in Naples<br />
<br />
La galerie des Ex-Voto de l'eglise Gesù Nuovo à Naple.<br />
Il s'agit certainement de l'église la plus importante construite par les jésuites à Naples
    Naples-2.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_008.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_003.jpg
  • Julien Durix (L) Pierre Thivillon (C), Owner of the zoological space and Idrys Yahiaoui (R).<br />
The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_010.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_006.jpg
  • Julien Durix (L) and Pierre Thivillon (R), Owner of the zoological space.<br />
The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_003.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_010.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_007.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_006.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_005.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JDPT_001.jpg
  • Julien Durix (L) and Pierre Thivillon (R), Owner of the zoological space.<br />
The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_008.jpg
  • Julien Durix (L) and Pierre Thivillon (R), Owner of the zoological space.<br />
The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_007.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_005.jpg
  • The French artist Julien Durix is committed to the animals of the Association «Tonga» and the Saint-Martin-la-Plaine Zoological Park<br />
The public will be able to come and discover the unpublished work of Julien Durix in the heart of the Parc Zoologique de Saint-Martin-la Plaine.<br />
The work, composed of more than 1,500 roses, will be exhibited to the public<br />
throughout the summer.<br />
Very sensitive to the actions undertaken by the Association "Tonga Terre d accueil » and touched by the benevolence of the park employees, French artist Julien Durix offered to help them. <br />
The health crisis having jeopardized years of animal protection, his friend and digital advisor Idrys Yahiaoui, living near the refuge, alerted him to the situation.<br />
Indeed, the park spends around 150,000 euros in monthly costs, just to feed the animals.<br />
Julien therefore chose to create a totally unique work, representing Gincko, one of the emblematic animals of the site.<br />
The unpublished work of 220 x 160 cm, handmade on silk roses, will be exceptionally presented to the public from Wednesday July 14, 2021 in the Zoological Park of Saint-Martin-la-Plaine<br />
This unique piece will be offered at an auction organized with the support of Galeries Bartoux and Maison Tajan.<br />
The funds raised by this sale will be entirely donated to the benefit of the Association « Tonga terre d accueil ».<br />
It is with pleasure that Julien Durix, who has already donated works to associations, this time is committed to the animal cause.<br />
The work is estimated at 19,000 euros
    JD_001.jpg