Bruno Vigneron Photographer

  • Galleries
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • Home
  • Blog
  • Port-Folio
  • Contact
  • Instagram
  • About
  • Prints
  • Facebook
  • Twitter
x

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
115 images found
twitterlinkedinfacebook

Loading ()...

  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_006.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_029.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_013.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_007.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_028.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_019.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_003.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_031.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_026.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_022.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_025.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_027.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_020.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_016.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_009.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_007.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_024.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_002.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_012.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_023.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_005.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_015.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_004.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_030.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_014.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_018.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_017.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_010.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_008.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_004.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_009.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_001.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_005.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_008.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_021.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_011.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng. <br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    NIFC_001.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_010.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_006.jpg
  • Georges Verney-Carron (C) William Wilmotte (R) Mengzhi Zheng (L)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_021.jpg
  • Georges Verney-Carron (C) William Wilmotte (R) Mengzhi Zheng (L)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_017.jpg
  • In resonance with the Lyon Biennial, the contemporary art center of the Nouvel Institut Franco-Chinois welcomes Mengzhi Zheng.<br />
Arrived in Paris at the age of seven, he nourished himself from a childhood between his two cultures and became an artist. A resident of Lyon since 2012, this invitation is the perfect opportunity to discuss his work - with a contemporary eye - on issues of space and habitat, which has been driving him since a return trip to Ruian in 2008. Through drawings and volumes, the artist will invoke a large central sculpture imagined for this exhibition time. Frail skiffs on a table - Abandoned Models - and drawings on walls will complete his spatial approach of the place.
    MZ 2_002.jpg
  • Georges Verney-Carron (C) William Wilmotte (L) Mengzhi Zheng (R)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, the architect William Wilmotte and Georges Verney-Carron
    LHBJS_001.jpg
  • Georges Verney-Carron (C) William Wilmotte (L) Mengzhi Zheng (R)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_019.jpg
  • Georges Verney-Carron (C) William Wilmotte (L) Mengzhi Zheng (R)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_018.jpg
  • Georges Verney-Carron (L) William Wilmotte (R) Mengzhi Zheng (C)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_022.jpg
  • Georges Verney-Carron (L) William Wilmotte (R) Mengzhi Zheng (C)<br />
After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_020.jpg
  • After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_026.jpg
  • After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_024.jpg
  • After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_023.jpg
  • After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LHBJS_025.jpg
  • After many twists and turns, the hanging garden project installed on the roof of the Halles Paul Bocuse car park was finally accepted. The work is finished and the 2,000 m² spot will open on July 11th.<br />
On the program: a refreshment bar, chill corners, a landscaped garden and plenty of vegetation. <br />
A work born by the collaboration of the young artist Mengzhi Zheng, <br />
the architect William Wilmotte and Georges Verney-Carron
    LPABocuse_13.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_055.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_044.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_056.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_031.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_023.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_011.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_029.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_015.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_003.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_048.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_020.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_042.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_032.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_024.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_047.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_039.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_052.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_038.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_033.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_026.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_025.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_019.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_018.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_013.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_010.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_045.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_030.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_006.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_062.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_059.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_022.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_016.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_004.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_001.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_058.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_002.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_060.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_057.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_053.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_034.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_061.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_009.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_046.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_037.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_051.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_049.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_054.jpg
  • New Scale, qui devait augurer l’Espace Verney-Carron une forme de simplicité et de mobilité, se transmue il est vrai en exercice de relativité. L’Espace, qui a hérité de la vision de Georges Verney-Carron en faveur d’une esthétique et d’une éthique urbaine, constate à travers l’œuvre de Mengzhi Zheng combien ses engagements sont d’actualité et doivent se porter plus avant, à tous les niveaux — sociaux, politiques, économiques, culturels et environnementaux — de la chose publique.
    GVC_MZhen_043.jpg
Next